When I started getting deep into music production, around the mid-late 90s, it was driven by an obsession to make music that pushes high fidelity sound systems to their limits.
I didn’t just want to make “good songs”, I wanted to blow minds with frequencies.
I wanted music that would richly reward those who have invested in quality sound systems, and those who come out for the big events. Music with interesting layers, levels and perspectives that are revealed on repeated listens.
Stoked therefore I am, to learn that a high-end hi-fi company based in London – <a data-link-label="" data-link-type="url" href="https://www.akvacoustics.com/" target="_blank"